hounds

Last year, Julie and I had a fantastic time playing for a weekend with Her Majesty's Hounds at the Virginia Renaissance Faire.
This year, we auditioned for places on the cast (auditions! memorization! public singing! scary!). And as you might imagine, since I'm writing this, we got invited to join the cast for the 2007 season. Best of all, we get to be part of the Guild of St. Hubert, which is to say, the previously linked greyhound adoption group. We are, shall we say, excited. We're playing two of the royal houndmaster's sisters-in-law, actual historical characters.

The picture above is of my charge book, which is a little book of useful information each new member is compiling. I wanted to do a little bit of embroidery to dress it up a bit. It's nothing fancy, just cotton embroidery floss on pale green linen. The HMH is in chain stitch. The dog is filled with a sort of staggered split stitch. The border is a chain stitch that then has been threaded through with the green. The dog is definitely supposed to be a greyhound, but I'm thinking it ended up looking a bit like Lucy. Oops.

the dog is SO over hats

New hat. Better than the old hat. Lighter at any rate, since I used buckram and wire instead of plastic canvas. This is a pleated-crown hat covered in grey wool leftover from the ropa. The crown really is pleated, although it's tough to tell that since I went ahead and used black silk thread to cover the pleats with a decorative herringbone stitch. The twisty thing around the brim is black velvet with a contrasting chain stitch. I'm into these "new" stitches. It's lined with black linen. I followed the general method for construction from the Tudor Tailor, but made up my own shape since I wanted a curvy brim.

The dog is, however, not particularly impressed. He thinks it could have at least shaded his eyes a bit better for the nap.

better!

 

Many thanks for the comments and suggestions on fixing my gapping problem from Julie, Laren, Allessia, Lia, and of course Mom. I really appreciate all the input. It looks considerably better I think (despite the bad lighting). At first I wasn't sure I was happy, but in comparison with the before picture, it's not bad. I used a combination of suggestions by doubling the number of hooks in the top half, sewing down the shank of the hook, and moving some back as needed. I think next time I do this I'll definite bone the edges too. I believe that may be why the green dress has no gap, despite similar hook spacing (and considerably less care in sewing them on). Thanks ladies! 

dress of continual improvement

 
Still tinkering with the green dress. Here are the stripey sleeves. I like them a lot, but now I think I might have to edge the black guarding on the dress to match. We shall see.

 
And the Lady Kytson hat. It's very difficult to model this hat without feeling ridiculous. In all of the other pictures, I had some sort of "no seriously, I'm not really here" facial expression, so you get the goofy one. 

wool doublet

 
I'm a bit behind schedule with taking pictures of this outfit. It's been done since the fall. The brown wool is coat weight, and so the cuts are unfinished. The red wool behind is the same as in the skirt, and the stitching is actually 4-ply wool sock yarn left over from something else. It's worn over a smock and the effigy corset. In the closeup, you can see that it tends to gap, despite not actually taking any strain due to the underlayer. I'm thinking about adding a placket or possibly using lacing rings behind the hooks.

 
I also think I might add a brown wool guard to the bottom of the skirt. It's a very comfortable outfit, *provided* that it's cold out! Wool, wool, and more wool!